Thursday 25 April 2013

Feudal Rule

Kamakura (1185-1333)

This was a period of warrior values and adventure.  It was also a period of civil war and strife due to clan clashes.  Eventually, the seat of government was relocated by the Minamoto clan to Kamakura, a seaside village.  Art became more austere and, because of Samurai influence, to centre on a belief in the afterlife. Even so, portrayal of individuals was given realistic treatment.  Temples at Nara (Todai-ji) were restored although a new style of pagoda, reminiscent of the Chinese style was introduced.  Contact with China had been revived.  
From Wiki
During this time, the Mongols under Kublai Khan reached Korea in 1259 and sent a fleet to attack Japan in 1274. Mongol soldiers were repulsed and again in 1281.  Zen Buddhism arrived with monks escaping these Mongol invasions.  Zen doctrine, although initially treated with some suspicion, appealed to the Samurai class with its stark art forms filled with tension and drama.  Zen’s austerity influenced architecture with buildings presenting a simple, lineal grace and rational structure. 

Chion-in was originally built in 1234 to honour the founder of Amida Buddha in Japan.  Its temple beams are carved with the Tokugawa family crest (three hollyhock leaves) and nightingale floors (squeaky) to warn of intruders.  The grounds are the site for a monthly market and although the temple is a National Treasure, I need not explain where our attention was diverted.  
Samurai Armour (Wiki) looks
quite surreal even for body armour
(Kamakura Period)
Despite a society based on warrior values, artisans concentrated on improving techniques and art flourished.  Toshiro visited China in 1223 and returned setting up a kiln at Seto – this became world famous. Painting in inks became increasingly popular.  Ever evolving architecturally, the Kofuku-ji Temple complex at Nara had a 3 storeyed pagoda added (1185).  Later a 5 storeyed (1426) storeyed pagoda was added too.  Japanese sculptor, Unkei, carved two stunning guardians (1203) which flank the Todai-ji Temple in Nara.  His realistic works, and that of his sons, was based on close observation of individuals and meticulous studies of personality.