A Brush with Fame

I was fortunate to see a travelling exhibition of Spanish Surrealist, Salvador Dali’s works in Dubrovnik.  It was quite refreshing to be allowed to take photos; thankfully someone’s realized the marketing potential of blogs and social media!

Speaking of marketing, Dali’s eccentric behaviour was another golden arrow in his quiver of talents.  In brief, Salvador Dali’s (1904-1989) life story makes for interesting reading.  He was a consummate showman and a great technical artist with a vivid imagination.  One famous quote that resonates for me when viewing his work is simply put: “Intelligence without ambition is a bird without wings.” 

 

Dali’s best known work is perhaps, “Persistence of Memory”, those melting clocks that at once captivate then frighten.  We though, were lucky enough to see the fabulous Mae West lips, translating sexy into functional and, at the exhibition, a range of his captivating prints.  Some were for sale!  My quick talking however failed to make an impression on my “man with the wallet”.  I obviously need to learn more from Dali.

You might enjoy this fabulous site WikiArt.

Captivated by the Dali Exhibition

Combing Croatia

July 2015

Croatia was also a too-brief interlude, and although we made stops in a number of places, the most textile-likely were Pula and Dubrovnik.   If you can take your eyes of stunning historic buildings, beautiful blue water and "I want to live here" island communities, that is!!

In Dubrovnik we had four lucky finds:

• the Rupe Ethnographic Museum. The museum was challenging to find but it did take us into the less touristy areas of old Dubrovnik.  Who would have thought the old town to be so steep in places!

• well stocked craft stores (especially the Korkula Art & Craft Store brimming with locally made products including some lovely embroideries),

• more than one craftswoman stitching in the street (in costume & selling her hand-made wares), and

• an open air market near the Cathedral (in the shade of its west wall) featuring textiles, crafts and jewellery. 

I later discovered that Croatia also has a significant lace-making community (bobbin lace from Lepoglavia; aloe lace from Hvar; needle lace from Pag) and a once highly productive silk manufacturing area in Konvale dating back to the 15th c.  Production of rick rack braid is also mentioned but I never managed to find any.

A couple of interesting sites to check out for more detail (than I managed to cover in this post) are textile blogs and reliable pinterest communities for information and eye candy. I am also drawn to a fabulous book on historic costume - with a very hefty price-tag...  (These links have since broken or are out of date!)

Still, Mothers Day is coming up.  I wonder if I could swing it?

Glory Days

Moving on from Santorini, our next stop was Crete - the main object of course, being Knossos.  A limited schedule dictated firstly a visit to the wonderful & enlightening Archaeological Museum in Heraklion; and I’m very pleased we did.  The museum exhibits are the “icing” on the cake of Knossos and thus prepared, we were better able to envisage the city as it might have once been in the Minoan (2600-1450 BCE) glory days, when we finally made it to this historic and most magic of sites.

Delightful wall paintings and sensitive artwork on pottery, statues, religious and funerary objects gives insight into the Minoan love of elaborate textiles.  Men and women wear carefully fitted garments, some for rather athletic pursuits (bull leaping) and clearly prefer bright colours.  We understand that craftsmen and women were highly skilled in the art of spinning, weaving, dyeing and sewing/millinery, which was not accomplished in isolation.  The Minoans also had a reputation for being experienced sailors and traders – quite obviously with an eye for acquiring tasteful style; in design as well as expertise. 

We managed to visit a couple of other towns, mostly awash with tourist tat (made cheaply in China), with little success in uncovering locally produced modern textiles.  Time sadly was against us to be more thorough.  I did read later (on the ferry out, no less) of the inspiring Penelope Ghandi Mission on Crete.  It has been established to revive the fine art of weaving.  Local craftswomen make traditional and unique Cretan weavings & embroideries.  I’ll just have to go back then…some day!

(Whilst searching for some informative links on the topic of Minoan textiles, I came across these: an interesting blog (textileranger) and a short article (unl) that helps in understanding Minoan life & times.  By now, you’ve probably realised that curiosity forms my cornerstone rather than a solid learning base.  Anyhow, I doubt that I’d live long enough to study textiles in sufficient depth to parallel the extent of our excursions, so skimpy my notes will remain…  )

Ever so Briefly, Santorini

Santorini, Greece: 7 May 2015 

To begin at the beginning of the season, we made a short detour via ferry to Santorini, allowing ourselves only a few days to enjoy the delights of this scenic island.

View over the Caldera (looking south towards Oia)

Textiles don't survive time well, especially not after catastrophic eruptions.  So at best in Fira's museums, we discovered a few more robust examples of how Thira locals (mostly the wealthy ones who could leave something for posterity) lived out their daily lives.   

We know the Ancient Greeks wove extraordinarily well; legend has it that Penelope, wife of Odysseus, wove a shroud of fine linen for her father-in-law, Laertes.  And we know that they had used linen for quality clothing since 2800BC. 

Luckily we have some extraordinary examples of pottery and murals that allow us to reflect on these skills. (Although I seem to have gotten carried away with marine rather than textile references!) 

This deserves a closer look to see that amazing detail. 
I'm wondering too, if this was our hero, Hercules...

Voyages of Discovery

Exploring New Territory: 2015

Discovering new talents too!

This was a year of discoveries in more ways than “textile”.  We had a mini crisis with the Windjammer blog being “duplicated” and links redirecting folk to all sorts of nasty places (It’s fixed now by the way and both our computers professionally double checked for nasty viruses – all clean & clear!) and a mental breakdown when the camera memory card corrupted. 

Thankfully I managed to recover all but 10 of my precious photos - from a couple of thousand – about 8 weeks of travel to places we would probably never return.  (I’ll qualify that by saying - not because we don’t wish to, it’s just that living on the other side of the world makes it challenging in many ways to visit Europe regularly.)  The whole exhausting recovery process took months; figuring how to manage it and finally cataloguing files when retrieved.  Needless to say, I’ve been avoiding touching any photo files lately in case they vanish in a puff of smoke! 

So here I find myself in April already with NO entries in Textile Tourist yet.  So rather than take more time to include detailed research of textile offerings from each of the countries we visited, I’ll simply post up a few of the photos of interesting items we found along the way.  Somehow, I’d also neglected my homework in preparation for this tour and managed to miss quite a few textile museums, galleries or shops of interest.  I did find a link to the European Textile Network but the dots between our tour & those places did not always meet up.  Always wise in hindsight!

Sometimes the locals simply would not
share their textile secrets

Just so we are on the same table, I see Textile Arts encompassing patchwork & quilting, weaving, dyeing, tapestry, needlepoint, embroidery, textile design, spinning, knitted fibres, folk costumes and traditional motifs.  I know I’ve missed a few categories but it’s a start.  This list gives me a reference point to search for specific samples on my travels.  In some places we visit for instance, the best I might do is visit an ethnology museum.  A couple of excellent text references (to start with) are John Gillow’s “World Textiles” (an exhaustive techniques list) and “500 Years of Textiles” by Jennifer Harris. 

Even surfing the net yields surprising results - the Book Depository lists fascinating reference materials at a wide range of prices and Pinterest offers amazing catalogues of textiles visually.  I also find it interesting to talk to docents (trained guides) about their country specific textile collections at museums.

But I’ll leave the finer detail & last word to the experts.